Wednesday, April 22, 2020

“Dolittle” Movie Review


    I haven’t had the opportunity to view many new movies lately while my state has been on lockdown.  Theaters remain closed and even deliveries take quite some time to arrive due to increased orders of essential items from websites such as Amazon.  I finally got a chance to check out the latest remake of “Dolittle” and I was very excited to see something new.
    The film opens up with an animated sequence which sets up the rest of the film showing Doctor John Dolittle and his wife Lily before she passes away while at sea.  Following Lily’s death, Doctor Dolittle has become a recluse and only communicates with the animals he lives with.  Dr. Dolittle is forced to set off on an adventure to save the life of the Queen, much to his dismay.  While on the adventure, Dolittle ends up taking on an apprentice named Tommy, a young boy with a love for all animals as well.
    I went into this film a bit blind as far as the overall tone of the movie.  I enjoyed the Eddie Murphy films but I had never read the source material and I have never seen the original musical adaptation so I was curious how this film would be.  I was pleasantly surprised by how family friendly the movie ended up being.  I figured it wouldn’t be too adult in nature, but you never know these days.
    Much like the original books written by Hugh Lofting, this film is set in Victorian England unlike the contemporary setting of the Eddie Murphy adaptation.  This time frame helped set it apart from the most recent adaptations while also providing a fresh visual palette that the modern setting couldn’t take advantage of.  All of the colorful sets and costumes featured really help you feel engrossed in the setting.
    Now, there are some faults I found in the film which I will now dive into now.  The most distracting aspect of the film for me is how the film uses voices overs to cover exposition and actions not shown on screen, it doesn’t happen often, but it can be a little jarring (it was to me at least).  It almost felt like the filmmakers forgot to film some scenes and just figured a quick ADR session would be a better (and cheaper) solution to reshoots (which to be fair, it is).  Also, there are some beautifully shot scenes in the film and the cinematography is often very good overall, but there are parts with extreme zooms that I found a out of place with the rest of the film.
    The animals and the overall computer animation is very good.  The voice cast including the likes of John Cena and Tom Holland also did a stellar job making the animals feel real.  So many different personalities are displayed with the animals and they often feel the most realistic elements of each scene.
    As far as the human cast of characters goes, they are led by the great Robert Downey Jr. and he seems to be having a blast.  Now this admittedly seems like an odd role for Downey to take post Iron Man, but I think he just wanted to make a different type of movie.  I really enjoyed Robert Downey Jr. in the movie and it was a delight to see him go over the top in the role.  Downey Jr. sets himself apart from Eddie Murphy and Rex Harrison with this adaptation and showcases why he gets paid the big bucks.  I should also point out that despite little screen time, Antonio Banderas absolutely steals his scenes and he managed to make me wonder why he was never cast in a “Pirates of the Caribbean” film.
    In a world consumed by the Coronavirus epidemic, it’s refreshing to see a film like this and know that the author who wrote this came up with the characters during another dark time in the world, World War I.  Even during dark times, light always shines through.  While “Dolittle” isn’t a perfect film, it was still cute and better than I expected with some wonderful performances.

Grade: B

Thursday, April 9, 2020

“Onward” Movie Review


    Traditionally, a joint effort from Disney and Pixar means big bucks for ‘the house of mouse’ at the box office.  2020 has been anything but traditional for Hollywood unfortunately and due to the deadly outbreak of the Coronavirus, the latest Disney and Pixar film “Onward” ended up doing rather poorly at the box office before the theaters ultimately closed down.  “Onward” seemed like a film doomed to fail due to circumstances beyond it’s control but it is fortunately found life again on Disney+.
    The film tells the story of two brothers, Ian and Barley, who are very different from each other.  The brothers live in a world that was once filled with magic and mythical creatures but that world, like our own, has been lost due to modern innovation.  The only thing seemingly connecting the brothers is the fact that they both miss their father deeply.  Upon Ian’s sixteenth birthday, the brothers are presented a magical staff that their father wanted them to have when they were old enough.  In addition to the staff, their father also left them a powerful gem and a spell to bring him back for twenty-four hours.  After Barley fails to be able to summon their father back, Ian is able to successfully make the spell work.  Unfortunately for both of them, the gem powerful enough to bring their father back explodes halfway into the process and they only bring his bottom half back.  After that, the group set off on an adventure to find another gem to finish the process before their twenty-four hour goes away forever.
    It’s really a shame this film fell victim to the forced shutdown of theaters due to the Coronavirus.  “Onward” just happened to be one of the last major studio films released before the theater chains were forced to shut down and studios scrambled to find new release dates for future releases.  Fortunately, Disney was wise enough to offer the film for digital rental shortly after the pandemic and put the film on their Disney+ streaming service roughly a month after it was released in theaters.  This has turned out to be a rather smart move for the company because their streaming service keeps getting more and more subscribers and “Onward” has been trending on social media since it’s digital release.
    “Onward” is the kind of film that I feel really would have had legs at the box office.  It’s unique and has the perfect amount of sentimentality to really get people spreading good word of mouth.  It is also a film that is relatable to many people on very personal levels.  Anyone who has had a sibling who turned out to be more of a parental figure to them or anyone who has lost a parent are going to have a hard time fighting back tears at certain parts of this film.  As someone who has lost both their parents, I would do anything to see them once more.
    A large part of the charm of this film comes from the vocal talent of the two main stars, Tom Holland and Chris Pratt.  Both actors are veterans of the Marvel Cinematic Universe and automatically have a natural chemistry with each other.  Holland and Pratt are able to give very funny performances but also pull on the heart strings when an emotional scene comes up.
    I love the feel of this film and the nods to other fantasy movies as well.   “Onward” is basically what the world of J.R.R. Tolkien’s Middle Earth would look like now with modern technology and it was incredibly entertaining!  Can you imagine if games like ‘Magic the Gathering’ or ‘Dungeons and Dragons’ were based on historical events?  Imagination like that is what gives Pixar movies their charm.
    I was very impressed by “Onward” and it was nice to see a new movie with some passion put into it from home.  During these troubled times, a sweet fantasy movie is just what we need.

Grade: B+

Saturday, April 4, 2020

“Freaked” Movie Review


    How do I even begin a review for a film like “Freaked”?  I can tell you a stumbled upon it as a child and watched it mostly due to the fact Alex Winter was in it (I was a huge “Bill & Ted” fan).  I was fascinated by the movie and felt a bit special because no other kid I knew had seen this hidden gem.  I felt a bit special, like I was the only person allowed to see this movie (I was a kid after all).
    The film follows former child star Ricky Coogin as he accepts a deal to endorse a chemical called Zygrot 24 which acts as a toxic fertilizer in South America.  Ricky and his friend Ernie travel down to South America to promote Zygrot 24 where they cross paths with environmentalist Julie and trick her into accompanying them to a freak show run by Elijah Skuggs.  Skuggs ends up capturing the three and uses the chemical Zygrot 24 to transfer the trio into freaks to be used in his freak show.
    It’s impossible to review this film without noting how bizarre the humor is on top of a ridiculously insane and over the top premise.  This is the kind of film that could never be made now within the studio system.  Perhaps this is what sets the film apart the most.  The humor certainly isn’t highbrow and often relies on it’s gross out factor, but it also has a charm behind it because you can sense the passion that went into it.  It reminds me a bit of a Troma film with a larger budget and more experienced cast.
    Alex Winter, who stars and co-directed the film, provides a great performance which is quite different than his role in the “Bill & Ted” franchise.  This was Winter’s last non-cameo role until 2013.  I am a big fan of Alex Winter and if you ever have the pleasure of meeting him (he does conventions from time to time), he is one of the nicest and most appreciative stars you will have the pleasure to see.  I remember meeting him along with my mom shortly before she passed away and he was so wonderful to her and myself.  It was refreshing to see a celebrity who enjoyed meeting his fans and didn’t seem jaded by appearing at a comic convention.
    The rest of the cast was also entertaining in their supporting roles.  Randy Quaid was delightfully chewing up every scene he was in.  Megan Ward was also great in this film and I really wish her career took off more.  I remember loving Mr. T’s role as the bearded lady a lot and I am still surprised he took the role.  The film also featured a little “Bill & Ted” reunion with co-stars Keanu Reeves and William Sadler also appearing in the movie (although Reeves is almost unrecognizable).  The only cast member I didn’t love was pretty much Michael Stoyanov of “Blossom” fame.  I found his  performance to be too annoying.
    The film wasn’t released theatrically (except in a handful of theaters) because the Fox executive who saw it thought the film was too weird to be successful.  The film also did receive poor test screening performances and mixed to poor reviews upon it’s release but has since become something of a cult classic.  It’s easy to see why some people hate this movie while others adore this film.  I feel like most dark comedies become rather divisive but with this film’s unique humor as well as it’s makeup and animation effects, this film is a cut above most other dark comedies.
    Ultimately I believe this film was actually a bit ahead of it’s time and I think a lot of the humor was lost on people at the time.  It was self aware and cheesy.  It’s certainly not everyone’s cup of tea and if you don’t enjoy self aware potty humor, this isn’t the movie for you.  If that sort of thing sounds interesting to you, I strongly advise you seek out the film “Freaked” and thank me later.

Grade: B

Wednesday, March 25, 2020

The 2020 Next Level Blockbuster Award Nominees


Best Picture
Avengers: Endgame
Dolemite Is My Name
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Marriage Story
1917
Once Upon a Time in Hollywood
Star Wars Episode IX: The Rise of Skywalker

Best Comedy Picture
Dolemite Is My Name
Fighting with My Family
Jojo Rabbit
Knives Out
Shazam!

Best Action Picture
Angel Has Fallen
Fast & Furious Presents: Hobbs & Shaw
John Wick: Chapter 3 -Parabellum
Rambo: Last Blood
Spider-Man: Far From Home

Best Horror Picture
Annabelle Comes Home
Doctor Sleep
It Chapter Two
Scary Stories to Tell in the Dark
Us

Best Inspirational Picture
A Beautiful Day in the Neighborhood
Breakthrough
A Dog’s Journey
The Peanut Butter Falcon
The Upside

Best Drama Picture
Ford v Ferrari
The Irishman
Joker
1917
Once Upon a Time in Hollywood

Best Science Fiction Picture
Ad Astra
Avengers: Endgame
Captain Marvel
Star Wars Episode IX: The Rise of Skywalker
Terminator: Dark Fate

Best Live Action Family Picture
Aladdin
Dumbo
Jumanji: The Next Level
Pokémon Detective Pikachu
Togo

Best Animated Family Picture
Abominable
How to Train Your Dragon: The Hidden World
Klaus
The Lion King
Toy Story 4

Best Digital or Direct to Video Picture
Dolemite Is My Name
The Irishman
Marriage Story
Togo
The Two Popes

Best Sequel or Remake
Avengers: Endgame
John Wick: Chapter 3 -Parabellum
The Lion King
Spider-Man: Far From Home
Star Wars Episode IX: The Rise of Skywalker

Best Short Format Film
Battle at Big Rock
Hair Love
How to Train Your Dragon: Homecoming
Kitbull
Rocko’s Modern Life: Static Cling

Best Actor
Daniel Craig
Knives Out

Matt Damon
Ford v Ferrari

Robert De Niro
The Irishman

Leonardo DiCaprio
Once Upon a Time in Hollywood

Robert Downey Jr.
Avengers: Endgame

Adam Driver
Marriage Story

Taron Egerton
Rocketman

Chris Evans
Avengers: Endgame

Eddie Murphy
Dolemite Is My Name

Joaquin Phoenix
Joker

Best Actress
Awkwafina
The Farewell

Ana de Armas
Knives Out

Cynthia Erivo
Harriet

Scarlett Johansson
Marriage Story

Brie Larson
Captain Marvel

Chrissy Metz
Breakthrough

Lupita Nyong’o
Us

Florence Pugh
Fighting with My Family

Daisy Ridley
Star Wars Episode IX: The Rise of Skywalker

Renee Zellweger
Judy


Best Supporting Actress
Kathy Bates
The Highwaymen

Frances Conroy
Joker

Laura Dern
Marriage Story

Carrie Fisher
Star Wars Episode IX: The Rise of Skywalker

Linda Hamilton
Terminator: Dark Fate

Lena Headey
Fighting with My Family

Scarlett Johansson
Jojo Rabbit

Dakota Johnson
The Peanut Butter Falcon

Da’Vine Joy Randolph
Dolemite Is My Name

Margot Robbie
Once Upon a Time in Hollywood

Best Supporting Actor
Christian Bale
Ford v Ferrari

Bryan Cranston
The Upside

Willem Dafoe
The Lighthouse

Tom Hanks
A Beautiful Day in the Neighborhood

Chris Hemsworth
Avengers: Endgame

Anthony Hopkins
The Two Popes

Al Pacino
The Irishman

Joe Pesci
The Irishman

Brad Pitt
Once Upon a Time in Hollywood

Wesley Snipes
Dolemite Is My Name

Best Voice Actor or Actress
Donald Glover
The Lion King

Tom Hanks
Toy Story 4

Hugh Jackman
Missing Link

Idina Menzel
Frozen II

Ryan Reynolds
Pokémon Detective Pikachu

Best Ensemble
Avengers: Endgame
The Irishman
It Chapter Two
Knives Out
Star Wars Episode IX: The Rise of Skywalker


Best Director
J.J. Abrams
Star Wars Episode IX: The Rise of Skywalker

Noah Baumbach
Marriage Story

James Mangold
Ford v Ferrari

Sam Mendes
1917

Jordan Peele
Us

Todd Phillips
Joker

Anthony and Joe Russo
Avengers: Endgame

Martin Scorsese
The Irishman

Quentin Tarantino
Once Upon a Time in Hollywood

Taika Waititi
Jojo Rabbit

Best Adapted Screenplay
Christopher Markus and Stephen McFeely
Avengers: Endgame

Steven Zaillian
The Irishman

Taika Waititi
Jojo Rabbit

Todd Phillips and Scott Silver
Joker

Stephany Folsom and Andrew Stanton
Toy Story 4

Best Original Screenplay
Jez Butterworth, John-Henry Butterworth
and Jason Keller
Ford v Ferrari

Rian Johnson
Knives Out

Noah Baumbach
Marriage Story

Quentin Tarantino
Once Upon a Time in Hollywood

Jordan Peele
Us

Best Original Music
Alan Silvestri
Avengers: Endgame

Hildur Guðnadótti
Joker

Randy Newman
Marriage Story

Daniel Pemberton
Motherless Brooklyn

John Williams
Star Wars Episode IX: The Rise of Skywalker

Best Original Song
“Catchy Song” performed by T-Pain
and That Girl Lay Lay
from the motion picture “The LEGO Movie 2: The Second Part”

“I Can’t Let You Throw Yourself Away” performed by Randy Newman
from the motion picture “Toy Story 4”

“(I’m Gonna) Love Me Again” performed by Elton John and Taron Egerton
from the motion picture “Rocketman”

“Into the Unknown” performed by Panic! At The Disco
from the motion picture “Frozen II”

“Speechless” performed by Naomi Scott
from the motion picture “Aladdin”

Best Casting
Fighting with My Family
It Chapter Two
Joker
1917
Shazam!

Best Production Design
Avengers: Endgame
Jojo Rabbit
Joker
Knives Out
Star Wars Episode IX: The Rise of Skywalker

Best Cinematography
Ford v Ferrari
Joker
Knives Out
The Lighthouse
1917

Best Costume Design
Avengers: Endgame
Joker
1917
Rocketman
Star Wars Episode IX: The Rise of Skywalker

Best 3D Presentation
The Addams Family
Alita: Battle Angel
Avengers: Endgame
Shazam!
Star Wars Episode IX: The Rise of Skywalker

Best Film Editing
Avengers: Endgame
A Beautiful Day in the Neighborhood
Ford v Ferrari
Joker
Knives Out

Best Sound Editing
Avengers: Endgame
Ford v Ferrari
1917
Rocketman
Star Wars Episode IX: The Rise of Skywalker

Best Sound Mixing
Avengers: Endgame
Ford v Ferrari
Godzilla: King of the Monsters
1917
Star Wars Episode IX: The Rise of Skywalker

Best Special Effects
Alita: Battle Angel
Avengers: Endgame
Godzilla: King of the Monsters
Pokémon Detective Pikachu
Star Wars Episode IX: The Rise of Skywalker

Best Makeup Effects
Hellboy
Joker
Judy
Scary Stories to Tell in the Dark
Star Wars Episode IX: The Rise of Skywalker

Best Stunt Work
Angel Has Fallen
Fast & Furious Presents: Hobbs & Shaw
John Wick: Chapter 3 -Parabellum
Rambo: Last Blood
Terminator: Dark Fate

 Best Home Video Release
Alita: Battle Angel 4K/3D Blu-ray
Aquaman 3D Blu-ray
Avengers: Endgame 4K Blu-ray
Batman Beyond: The Complete Animated Series Deluxe Limited Edition Blu-ray Set
Godzilla: The Showa Era Films 1954-1975 The Criterion Collection Blu-ray Set
The House of Hitchcock Collection Blu-ray Set
Mystery Science Theater 3000: The Gauntlet-Season 12 Blu-ray Set
Scarface Limited Gold Edition 4K Blu-ray
Scooby-Doo, Where Are You!: The Complete Series Blu-ray Set
Ultraman: The Complete Series Blu-ray Set

Next Level Blockbuster Icon Award
Lucille Ball
Carrie Fisher
Cary Grant
Alfred Hitchcock
Howard Hughes
John Hughes
Stanley Kubrick
Stan Lee
Leonard Nimoy
Robin Williams

Next Level Blockbuster Legacy Award
Back to the Future
Batman
Platoon
Rocky
The Shawshank Redemption
The Shining
Star Trek II: The Wrath of Khan
Star Wars Episode V: The Empire Strikes Back
Terminator 2: Judgement Day
The Wizard of Oz

Wednesday, March 18, 2020

“Breakthrough” Movie Review


    I live in the state of Michigan, a state hit by the outbreak of the Coronavirus and under heavy restrictions not unlike most states and counties currently.  In an instant, life changed for many of us with some of us without a job for the foreseeable future and others working extra hard to keep people safe.  From our health care workers to our grocery store workers, everyone is either working extra hard or are without a job suffering from uncertainty.  We need escapism more than ever but sadly the shut down of almost all theaters is yet another casualty of the spreading Coronavirus.  On the bright side, we happen to live in a time of affordable digital and physical media options.  I suggest seeking films and shows with more positive messages and themes personally so I decided to watch “Breakthrough”.
    The film tells the true story of a young boy named John whose life forever changed when he fell through a sheet of ice and almost died while playing on a frozen lake.  Throughout everything and against all hope, his mother Joyce believed her son would recover.  Joyce’s faith in God never wavers and when John finally recovers, it’s a sign to anyone who believes in a higher power that miracles really do happen.
    So what are my first impressions of this film?  Well, while I believe in God, I am not the most religious person out there and I tend to not be the biggest fan of faith based films.  It’s not so much that I am against their messages or their religious tones, but most are sort of over the top and it pulls me out of the film.  While there are a few over the top moments in this film, the film finds a decent balance with it’s message and it’s depiction of the actual events.  This balance makes the religious based aspects of the movie feel more relatable and moving, to me personally at least.
    The film was directed by Roxann Dawson of “Star Trek: Voyager” fame and she does a great job with her transition from directing television to directing a feature film.  No doubt due to her time on “Star Trek: Voyager”, Dawson brings to the table the ability to focus on her ensemble without losing direction of the central story.
    The ensemble cast all delivered an earnest and honest performance which helped with the believability of the film overall.  The cast was led by Chrissy Metz of “This is Us” fame and Metz gives a strong performance as Joyce (in addition to singing “I’m Standing With You” during the end credits).  Topher Grace is also very good in his role as Pastor Jason Noble.
    In this time of uncertainty and fear, we all just need to sit back and have some faith in one another and refrain from panicking.  Our way of living has changed, perhaps forever, but that doesn’t necessarily mean it has to be for the worst.  “Breakthrough” may not be perfect and it may be a bit cliche, but it also might just be what some people need to watch now.  Miracles are possible, you just have to keep the faith.

Grade: B-

Thursday, March 5, 2020

“Impractical Jokers: The Movie” Movie Review


    Reality television has come a long way over the years so it shouldn’t come as a surprise that a show like “Impractical Jokers” has managed to thrive based on the challenges four friends put each other through.  The show is humorous if you like crude comedy and there is certainly a market for that.  When I found out that there was going to be a movie based on the show, I knew I was going to have to check it out.  Since there hasn’t been a huge slew of movies hitting theaters, my girlfriend and I decided to check this film out in the theaters.
    The film breaks a bit from the format of the show by having a story thread that goes on through the film.  Years ago while the gang was still in high school, the boys snuck into a Paula Abdul concert disguised as security guards.  Sal, Q, and Joe dare Murr to get Paula’s phone number and when he proves successful, the group vows to complete every dare or challenge given to them by the other friends or face a punishment (the principal behind the tv show).  Years later, the group reconnect with Paula and she invites them to a party she is having.  The catch is, she only gives them three passes.  The four friends decide that challenges would be the fairest way to decide who gets left behind.
    The movie is inspired by the truTV hit show and it left me laughing out loud more than a few times.  The four friends, Sal Vulcano, Joseph Gatto, James Murray and Brian Quinn all have amazing chemistry together and it was fun getting to see them act a little.  Fans of the show will be pleased to hear there are even call backs to previous episodes with my favorite being a challenge involving Jaden Smith.  Other critics haven’t been so kind with this film, but it left me laughing quite a few times so I feel like it succeeded in it’s goal as a comedy.
    With all that being said, I feel like fans of the show might be put off a bit by it’s more traditional approach to storytelling.  I think it’s fair to compare “Impractical Jokers” to “Jackass” a bit and I think that the films “Jackass” ended up spawning did a better job pleasing their fans.  I understand the group may have felt like just stringing some challenges together might have felt like they were ripping off their fans, but all they would have needed to do is create challenges that were on a bigger scale.
    I would recommend this film overall but I would say that diehard fans of the show might be a little underwhelmed by the end product.  It’s a funny movie, I just would have personally loved to see more challenges and crazier ones at that.

Grade: B-

Wednesday, February 26, 2020

“Jay and Silent Bob Reboot” Movie Review


    I have always had a bit of a soft spot in my heart for the characters of Jay and Silent Bob.  Perhaps it is due to the ease the characters fit into silly movies (such as “Jay and Silent Bob Strike Back”) or films with a more adult flair (their appearance in “Chasing Amy” remains a standout).  Kevin Smith and Jason Mewes have such a natural chemistry that their friendship almost transcends their films.  Smith and Mewes are the definition of ‘friendship goals’.  Naturally when I heard that Kevin Smith was making a new film featuring the characters, “Jay and Silent Bob Reboot”, I marked it down as a must see.
    The film plays as a sort of sequel to every film set in Kevin Smith’s View Askew universe but ties most directly to “Jay and Silent Bob Strike Back”.  The movie starts with Jay and Silent Bob learning that a studio is planning to make a reboot of the Bluntman and Chronic characters that were based off of the pair and that the studio now considers their actual names (Jay and Silent Bob) part of their intellectual property as well.  Once again, the pair set off to stop a Bluntman and Chronic movie from being made in a cross country adventure which unites the pair with a slew of familiar faces as well as some surprising new additions to the View Askew canon.
    Jay and Silent Bob have become unlikely pop culture icons over the years despite most of Kevin Smith’s film being modest box office successes at best.  Smith’s fans are a very dedicated group and I count myself among them.  Jay and Silent Bob have become a new generation’s Cheech and Chong which is quite the torch to carry.  Perhaps it seemed like a bit of a no brainer for Smith to fill this film with none stop fan service.  Unfortunately, it’s this same fan service which hinders this film slightly.  While I very much enjoyed catching up with familiar characters, I feel like more fun could have been had with the satirical reboot concept.  
    While one can complain that too much of the humor of this film was recycled, I do feel like Kevin Smith often isn’t given enough credit for his character development and that strength continues with this film as well.  Perhaps it is due to his personal relationship with the characters, but Smith manages to progress his character’s lives as a reflection of his own and that helps make his films (including this one) more compelling.
    Jason Mewes and Kevin Smith headline the film, naturally, as Jay and Silent Bob and the pair continue to play well off each other.  I do feel like perhaps the weight of a whole movie might be a bit much for Jason Mewes, but he doesn’t sink the movie either.  Joining the pair is Kevin Smith’s real life daughter Harley Quinn Smith playing Jay’s previously unknown of daughter.  Harley Quinn Smith does a solid job in the film and I am excited to see what the future has in store for her.
    The rest of the cast is primarily filled with cameos, some being more impactful than others.  Due to the huge cast last, I will only cover the few cameos that I feel deserve a special mention.  The best cameo comes from Ben Affleck and his cameo mirrors his real life relationship with Kevin Smith as well as providing some closure to the film “Chasing Amy”.  Affleck and Smith were once good friends and frequent collaborators but had a falling out years ago.  The pair reconnected after Smith nearly died of a heart attack and the sense of lost time can be felt heavily in this scene.  Jason Lee has a solid cameo that helps expand his “Mallrats” character some.  Matt Damon returns as Loki from “Dogma” for a brief appearance which helps wraps up “Dogma” and is one of the funniest moments of the film.  Chris Hemsworth has a pretty hilarious cameo.  Screen legend Val Kilmer appears as Bluntman, making him the second ex-Batman to feature in this movie.  Ex-WWE superstar and current AEW Champion Chris Jericho has a fairly surprising appearance in the movie.  Lastly, though the film was ultimately filmed after his passing, footage of Stan Lee looking over part of what would have been his role at San Diego Comic Con played during the credits, drawing a tear from every comic book fan’s eyes.
    “Jay and Silent Bob Reboot” actually had a fairly successful non traditional theatrical run which just wrapped up this week (on Kevin Smith’s birthday I believe).  The film never opened wide, instead Kevin Smith took the film on a literal road show which I actually find very charming.  Smith and Mewes were both personally at every tour location, providing his fanbase a unique experience to enjoy along with the film.
    While I felt like the film fell short of some of it’s comedic potential and should have focused less on fan service and more on a new adventure, I do admire Kevin Smith at the same time for his relationship to his fans.  Smith legitimately could care less about the critical reception his film’s receive as long as his fans enjoy it.  That is a very admirable trait for a filmmaker these days.  “Jay and Silent Bob Reboot” won’t change the ways films are made, but it will provide enough laughs to satisfy it’s fanbase.

Grade: B